‘Moving Spirits II’ Performance at Rowan Oak Showcases Stories Through Movement
In Oxford, Mississippi, on Sunday, April 14, 2024, spectators gathered at Rowan Oak for the spellbinding ‘Moving Spirits II’ Performance. This interpretive dance performance narrated the profound stories of the lives of those enslaved by Robert Sheegog and gave insights into the relationship between Caroline Barr Clark and famed author William Faulkner. The production incorporated historical storytelling, dance movement, and song to captivate the audience.
A Unique Blend of Art and History
Under the direction of Jennifer Mizenko and historian Rhondalyn Peairs, the performance unfolded on the grounds of the renowned Rowan Oak. The event showcased the history of the site-specific dance performance combining movement, dance, and song. The performance utilized specific locations on the property to exhibit the lives and stories of the individuals who previously lived on the premises.
The show commenced in the rock garden at the front of the house, foregrounding the system of slavery. It then moved behind the main house, bringing to the forefront the relationship between the slave dwelling and the kitchen. An Imbongi, an African prophet, introduced a forward-thinking portrayal of the relationship between Caroline Barr Clark and William Faulkner. The performance concluded with an emotional climax, showcasing George running to freedom, symbolizing the eventual escape from the chains of slavery and into emancipation.
A Ground-breaking Project
“It is imperative to me that the story is told on the site where it happened, because the spirits of these people are alive in the soil and the atmosphere of Rowan Oak,” commented Jennifer Mizenko, the dynamic director/choreographer of the show.
The cast of this groundbreaking performance involved twenty local Oxonians, with a diverse range of ages, from 12 to 84. The majority of these individuals had no prior experience, only a strong desire to tell the untold stories of the souls who once lived there. Joan Wilkins, a participant whose entire family was involved in the project, described it as a first-of-its-kind opportunity for people to interact positively, regardless of their race, something that wouldn’t have been possible during her parents’ time.
An Immersive Audience Experience
In this unique theatrical experience, the audience stood amongst the performers, following the story by moving from one site to another on the property. A golf cart provided assistance for those with ambulatory challenges, and limited camper chairs were available for those needing to sit during the performance. The performance concluded with a Q&A session, offering the audience a chance to interact with the performers and gain further insights into the portrayed stories.
Despite being free of charge, ‘Moving Spirits II’ proved to be a priceless experience, showcasing a harmonious blend of art, history, and community involvement. The production’s success acknowledges the support and sponsorship from various institutions, including The Mississippi Hills Heritage Area Alliance, The University of Mississippi, and The Center for the Study of Southern Culture, among others.
